Sacred Tantric Yantra Art (Museum-Grade Archival Print - Complete Set of 4)
Region / Tradition Dattatreya Sampradaya | Nath Tradition | Avadhuta Vidya | Maharashtra-Karnataka Lineage | Mantra Vidya
Key Features
This extraordinary collection presents four distinct sacred forms of the Dattatreya Yantra - the complete geometric and mantraic system of Lord Dattatreya, the most mysterious, most universally encompassing, and most directly liberating of all the Hindu deity forms - the three-headed Avadhuta who is simultaneously Brahma, Vishnu, and Shiva, who is Guru to every being who sincerely seeks truth, and whose grace is the most direct and most unconditional available in the entire tradition. Each of the four forms approaches the same supreme being from a different geometric, mantraic, and cosmological angle - together constituting the most complete sacred art representation of Dattatreya's inexhaustible wisdom, protection, and liberation-bestowing grace available in a single collection.
All four forms are rendered in the sovereign sacred aesthetic of the Dattatreya tradition - luminous white on cosmic black with warm gold Bhupura borders for the mantra and yantra forms, and the pure black-on-black mathematical depth of the Dattatreya numerical matrices - together declaring these four forms to be four expressions of the same divine reality: the Avadhuta whose naked freedom, whose twenty-four Gurus, and whose single eye of non-dual awareness sees through every convention, every limitation, and every pretense of separation between the practitioner and the absolute.
Lord Dattatreya - The Avadhuta, Guru of Gurus
Dattatreya is the most paradoxical and most immediately liberating of all Hindu deity forms - a being who combines in a single three-headed form the creative power of Brahma, the preserving wisdom of Vishnu, and the transformative fire of Shiva, making him the complete Trimurti in a single body, the total divine function expressed through a single consciousness that has transcended all the conventional boundaries between creation, preservation, and dissolution.
His name means literally given by Atri - he is the son of the sage Atri and the supremely pure Anasuya, born as the direct incarnation of the Trimurti in response to Anasuya's extraordinary devotion and the gods' request that she receive the Trimurti itself as her son. From birth he was free - wandering naked through the forest, drinking wine, consorting with outcasts, behaving in ways that shocked conventional piety while demonstrating, through every apparently transgressive act, the absolute freedom of a consciousness that has no attachment to the social forms through which the divine disguises itself from those not yet ready to see it directly.
He is the original Avadhuta - the one who has shaken off all conventional identity, all social role, all the accumulated conditioning of birth and caste and religious obligation - and who wanders the world in the nakedness of pure awareness, teaching not through words or scriptures but through the direct transmission of his own completely liberated state to every sincere heart that encounters him. He is the Guru of Gurus - having taught Parashurama, Kartavirya, Yadu, and many others - and the patron deity of the Nath tradition, which counts him as the original Nath, the first and supreme Avadhuta from whom all subsequent Nath Gurus take their lineage.
His most profound teaching is the doctrine of the twenty-four Gurus - recorded in the Bhagavata Purana in the conversation between Dattatreya and King Yadu - in which Dattatreya reveals that he has received instruction from twenty-four teachers in nature: the earth, air, sky, water, fire, moon, sun, pigeon, python, ocean, moth, bee, elephant, deer, fish, Pingala the courtesan, the arrow-maker, the child, the moon, the silk worm, the wasp, and the snake. This teaching - that the entire natural world is the Guru's living classroom, that every being and every phenomenon teaches the alert and humble student something essential about the nature of reality - is Dattatreya's most characteristic and most universally applicable wisdom.
The Four Dattatreya Yantra Forms
Form 1 - The Maha Dattatreya Yantra - Complete Mantra Cosmos
The most visually extraordinary and mantrically unprecedented composition in the entire series - a yantra of such mantraic density and geometric elaboration that it stands alone as the single most complete encoding of a deity's complete mantra system in the collection. Multiple concentric lotus rings spiral inward from the outermost mantra band through layer after layer of sacred syllables - Shrim, Om, Klim, Hrim, Dram, Svah distributed across every ring - to the innermost triangle bearing the supreme Dattatreya bija Dram (द्रां) blazing in the absolute center, the golden bindu radiating between the OM and Dram at the composition's heart.
The outer mantra band carries the complete Dattatreya Maha Mantra - the full invocation that begins OM Namo Bhagavate Dattatreyaya Smaranamatra Santushtaya - in continuous text running the entire circumference of the yantra's outermost field. This is the most complete of all Dattatreya mantras, invoking the Lord in his every aspect simultaneously: as the one satisfied by mere remembrance (Smaranamatra Santushtaya), as the great remover of all fear (Mahabhaya Nivaranaya), as the bestower of supreme knowledge (Mahajnanapradaya), as the pure consciousness-bliss (Chidanandatmane), as the one appearing in the form of a naked Avadhuta child (Balonmatta Pishacha Veshaya), as the supreme Yogi (Mahayogine), as the Avadhuta (Avadhutaya), as the son of Anasuya who increases joy (Anasuyananada Vardhanaya), as the son of Atri (Atriputraya).
The mantra continues through the complete sequence of specific invocations for every spiritual and worldly need - for liberation from the cycle of existence (Bhavabandha Vimochanaya), for the accomplishment of the impossible (Asadhya Sadhanaya), for all forms of prosperity (Sarva Vibhuti Daya), for irresistible attraction (Asadhya Karshananaya), for the gift of divine speech (Vakpradaya), for the subjugation of the three worlds (Jagatraya Shikaranaya), for the disturbance of all minds (Sarvamanas Kshobhanaya), for great wealth (Mahasampat Pradaya), for sovereignty over the earth (Bhumandaladhipatya Pradaya) - and concludes with the supreme declaration of the Lord's identity with every form of sacred power: Sarvamantra Svarupaya, Sarvayantra Svarupaya, Sarvatantra Svarupaya - he who is the essence of every mantra, every yantra, and every tantra simultaneously.
The multiple concentric lotus rings between the outer mantra band and the central triangle carry the complete bija system of the Dattatreya mantra - the entire sacred alphabet distributed across the rings in the traditional Matrika sequence, making this yantra simultaneously a complete Dattatreya mantra system and a complete Matrika yantra - the Guru who contains all knowledge containing all the letters of the Sanskrit language within his geometric body.
Form 2 - Dattatreya Yantra - The Pure Bija Star
The most geometrically refined and directly meditative of the four forms - presenting the Dattatreya mantra system in its most concentrated, most immediately accessible, and most visually powerful configuration: a Shadkona of commanding clarity within a single outer circle, with no lotus ring, no outer mantra band, no complex layering - only the six positions of the sacred star carrying the six supreme bija syllables of the Dattatreya mantra, and at the center, the single most important and most powerful word in the entire Dattatreya tradition:
Dattatreyaya - inscribed in large, clear, luminously confident Devanagari at the absolute center of the star.
The six bija syllables at the six points of the Shadkona constitute the complete sonic body of the Lord:
OM at the crown - the Pranava, establishing the Lord in the absolute source-consciousness.
Dram (द्रां) at the upper-right - the supreme personal bija of Dattatreya himself, the seed-sound of the Avadhuta's own consciousness encoded in a single syllable.
Hrim at the lower-right - the Shakti bija of the divine creative heart.
Klim at the base - the bija of absolute creative-destructive power and irresistible attraction.
Svah at the lower-left - the celestial realm bija, invoking the Lord's sovereignty over the highest cosmic plane.
Ha at the upper-left - the breath-bija, the sound of the life-force itself, the Hamsa mantra in its seed form.
Together these six bija syllables form the complete Dattatreya Shadakshara - the six-syllable sonic body of the Avadhuta distributed across the six points of the divine union star. This is the yantra for the practitioner who works directly with Dattatreya's bija mantras - for meditation, for mantra sadhana, and for the direct, unmediated encounter with the Avadhuta's completely liberated consciousness that these six syllables, properly recited in the geometric field of this yantra, are said to invoke.
Form 3 - Dattatreya Nava Bisa Yantra - The Nine-Cell Numerical Matrix (Devanagari)
The most mathematically precise and numerologically complete of the four forms - the sacred 9×9 grid containing 81 cells of the Dattatreya Nava Bisa numerical matrix rendered entirely in classical Devanagari numerals - the traditional script of the sacred mathematical matrices used in the yantra tradition for millennia. The nine numerals 1 through 9 are distributed across the 81 cells of the 9×9 grid in a precise arrangement whose every row, every column, and every diagonal sums to the same sacred number - the mathematical proof of the divine order underlying all of Dattatreya's manifestation.
The number 9 is deeply significant in the Dattatreya tradition - nine is the number of the Navanathas, the nine primary Nath Gurus who take Dattatreya as their lineage head. Nine is the number of completion and return - the digit that when multiplied by any number always produces a result whose digits sum back to nine, the mathematical expression of the teaching that all paths, all practices, and all seekers ultimately return to the source. Nine is also the number of the Nava Rasas - the nine aesthetic emotions of classical Indian art - and in the Avadhuta tradition, all nine are understood as aspects of the single rasa of liberation (Moksha Rasa) that Dattatreya himself embodies and transmits.
The Devanagari numeral form of this matrix makes it simultaneously a sacred mathematical diagram and a living piece of traditional Indian sacred script art - the ancient numerals of the Sanskrit tradition rendered with the careful, flowing beauty of a calligraphic tradition that understood the act of writing sacred numbers as itself an act of worship.
Form 4 - Dattatreya Nava Bisa Yantra - The Nine-Cell Numerical Matrix (Western Numerals)
The most directly accessible and most universally readable of the four forms - the identical 9×9 numerical matrix rendered in Western Arabic numerals (1-9) for the practitioner who wishes to work with the Dattatreya Bisa's mathematical harmony in a form that allows immediate visual comprehension of the matrix's self-balancing numerical patterns. The Western numeral form reveals the matrix's mathematical structure with a clarity that the Devanagari form, however beautiful and traditionally authentic, requires familiarity with the classical script to read. Together the two numeral forms of the matrix constitute a complete statement of the Dattatreya Bisa's teaching: the divine order underlying all existence is equally readable in the language of every tradition, equally present in the ancient script of the sacred and in the contemporary language of the universal - for the Avadhuta who takes his teaching from twenty-four natural Gurus is the last deity in the cosmos to privilege one cultural or scriptural tradition over another.
The Complete Mantra System
The primary mantra unifying all four Dattatreya yantra forms is the supreme bija:
Dram (द्रां) - the single most sacred and most concentrated seed-sound of Lord Dattatreya - the sonic form of the Avadhuta's own completely liberated consciousness compressed into a single syllable. Unlike most deity bija syllables that combine a consonant root with a vowel modification, Dram is unique in incorporating the rolling Ra - the sound most associated in Sanskrit phonology with fire, with Agni, with the transformative power that burns through all limitation - making it the most dynamically active and most directly liberating of all the deity bija syllables in the entire collection.
The expanded mantra system includes OM Shrim Hrim Klim Glaum Dram - the complete five-bija invocation that activates the Lord's five primary qualities simultaneously - and the OM Aim Kraum Klam Klim Ham Him Hum Sauh Dattatreyaya Svaha and OM Aim Klam Klim Klam Hram Hrim Hum Sauh Dattatreyaya Shri Vishnave Svaha - the more elaborate complete invocations for specific purposes and initiations.
Philosophical and Spiritual Significance
Dattatreya's tradition represents the most radical and most complete expression of the Advaita Vedanta teaching that reality is non-dual - that the apparent division between the individual self and the universal consciousness is the only illusion that needs to be dissolved for liberation to be complete. The three heads of Dattatreya's iconic form do not represent three separate deities negotiating their different functions - they represent the three apparent functions of the single non-dual consciousness seeing itself from three angles simultaneously: the creating angle (Brahma), the sustaining angle (Vishnu), and the dissolving angle (Shiva) - all three recognized as aspects of the single awareness that precedes and pervades all three without being defined by any of them.
The Avadhuta teaching - the path of the one who has shaken off all conventional identity - is simultaneously the most advanced and the most immediate spiritual path available in the entire Hindu tradition. It is advanced because it requires the complete dissolution of every identification with role, status, religious affiliation, and accumulated spiritual achievement. It is immediate because the state it points to - pure, unconditional, completely natural awareness - is already present in every being, requiring not the accumulation of new qualities but only the recognition and release of the false identifications that have temporarily obscured it.
The twenty-four Gurus teaching encoded in the Dattatreya tradition is the most universally applicable and most immediately actionable of all the Guru teachings in the Hindu tradition - for it declares that the Guru is not an external authority who must be found, tested, and submitted to in a formal relationship but the living intelligence of nature itself, available in every encounter, every experience, and every apparently ordinary moment of the alert and humble practitioner's daily life.
The four yantra forms together constitute a complete teaching about Dattatreya's nature and grace at four levels of sacred engagement: the mantraic completeness of Form 1 for the dedicated Dattatreya sadhak who works with the complete mantra system, the geometric purity of Form 2 for the meditator who approaches the Lord through the direct encounter with his bija field, the traditional mathematical precision of Form 3 for the practitioner who works with the Devanagari numerical tradition, and the universal accessibility of Form 4 for the contemporary practitioner who encounters the divine order of the Bisa matrix in the numerical language most immediately transparent to their trained eye.
Museum-Grade Poster Details
- Size: 14 × 14 inches each (set of 4 posters)
- Paper: 350 GSM archival matte paper
- Print Quality: High-resolution reproduction preserving the complete outer mantra ring text, multiple concentric ring detail, bija syllable clarity, Dattatreyaya central inscription, and the precise numerical matrix cell arrangements across all four forms
- Finish: Non-glare museum matte finish
- Ideal For: Dattatreya devotees, Nath tradition practitioners, Avadhuta path seekers, Advaita Vedanta students, advanced Tantric sadhaks, collectors of rare Dattatreya sacred art, meditation and puja altar spaces, and anyone who has felt the pull of the three-headed Avadhuta's completely unconditional and completely liberating grace
Why You'll Love It
Four faces of the one Avadhuta - four geometric expressions of the being who is simultaneously every Guru, every teaching, every tradition, and every path to liberation - the complete Dattatreya Yantra collection presents the most paradoxical and most immediately liberating of all Hindu deity forms through four compositions whose combined field creates the most complete sacred art representation of the Guru of Gurus available in this series.
Order Now
Bring home the Dattatreya Yantra Collection - four sacred forms of the three-headed Avadhuta who wandered naked through the forest taking his teaching from twenty-four natural Gurus, whose Dram blazes at the center of every composition with the concentrated fire of a liberation that was never conditional and never unavailable, and whose complete mantra - Smaranamatra Santushtaya, satisfied by mere remembrance - is the most generous declaration in the entire tradition: that the Guru who contains every yantra, every mantra, and every tantra asks only that you remember him, and in that remembering, recognize the awareness that was always already his and always already yours. Available individually or as a complete set of four 14 × 14 inch archival posters, with framed and unframed options, exclusively at The Soma Store.
