Ravi Varma Three Nymphs Collection - Padmini, Vasantika & Varini (18×24)

Fine Art Reproduction Print (Museum-Grade Archival Print) Artist / Date Raja Ravi Varma Press | circa 1900-1910 Key Features This luminously beautiful collection presents three of the most celebrated and most enduringly beloved works from...
Rs.2,100.00 INR
Rs.2,100.00 INR
Please hurry! Only 1000 left in stock
Limited-Time Offers, End in: 151D 8H 23M 0S
Frame style: Unframed
Apsara: Padmini
Subtotal: Rs.2,100.00
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Ravi Varma Three Nymphs Collection - Padmini, Vasantika & Varini (18×24)

Ravi Varma Three Nymphs Collection - Padmini, Vasantika & Varini (18×24)

Rs.2,100.00

Ravi Varma Three Nymphs Collection - Padmini, Vasantika & Varini (18×24)

Rs.2,100.00
Frame style: Unframed
Apsara: Padmini
Fine Art Reproduction Print (Museum-Grade Archival Print)
Artist / Date Raja Ravi Varma Press | circa 1900-1910

Key Features

This luminously beautiful collection presents three of the most celebrated and most enduringly beloved works from the Raja Ravi Varma Press - Padmini, Vasantika, and Varini - three companion compositions that together constitute the finest expression of Ravi Varma's lyrical, nature-centered feminine ideal in the entire oleograph canon. Each figure is a distinct feminine archetype drawn from the classical Indian poetic and aesthetic tradition, and each is rendered in the warm, richly chromatic style that made the Ravi Varma Press oleographs the most widely distributed and most deeply cherished sacred and aesthetic prints in the history of Indian visual culture.

Padmini - The Lotus Lady stands among the pink lotuses of a serene pond, her billowing pink sari caught in a gentle wind, her bare feet resting on a lotus leaf - the living embodiment of the Padmini type described in ancient Indian aesthetic texts as the most idealized of all feminine categories: the woman whose beauty, grace, and inner radiance are compared to the lotus in its complete, open, perfectly expressed bloom. The composition's airy, wind-touched quality - the sari lifting and swirling around her - gives it an extraordinary sense of movement and vitality rare in Ravi Varma's standing figure compositions, as though the wind itself is participating in the act of celebrating her beauty.

Vasantika - The Goddess of Spring stands beneath a flowering tree on a river bank, adorned with garlands of fresh blooms, her pink sari and veil the color of the first blossoms of the season - the living personification of Vasanta, the spring season most beloved in the entire Sanskrit poetic tradition. The warm golden light filtering through the canopy, the lush riverine vegetation, the rainbow light on the water behind her - all elements working together to create the most complete and most joyful expression of the Indian spring in visual form. She is the season made human, the flowering made personal, the annual renewal of the world's beauty given a face and a form that the heart can meet directly.

Varini - The Forest Nymph is the most intimate and most quietly powerful of the three - a young woman in a salmon-pink sari seen from behind as she pauses in a forest glade, her profile turned toward a white swan on the still water at her feet. The composition's use of the rear view is audacious and entirely successful - the viewer's eye travels the full length of her graceful form, the light playing across the fabric and skin, to arrive at the swan on the water and the serene forest reflected in it. Varini is the only one of the three who is not looking at the viewer - she is absorbed in her own private communion with the natural world, and this absorption gives her image a contemplative, almost meditative quality that distinguishes it from the more directly engaging Padmini and Vasantika.

Together these three compositions represent the peak of the Ravi Varma Press's lyrical, feminine, nature-centered aesthetic - the three faces of the Indian ideal of womanly beauty expressed through three different relationships with the natural world: Padmini standing sovereign among the lotuses of the sacred pond, Vasantika adorned with and surrounded by the flowering abundance of spring, and Varini in quiet, private communion with the forest and its still water.

Museum-Grade Poster Details

  • Size: 18 × 24 inches each (set of 3 posters)
  • Paper: 350 GSM archival matte paper
  • Print Quality: High-resolution reproduction preserving the warm chromatic richness, fabric luminosity, floral detail, and landscape atmosphere of each original oleograph
  • Finish: Non-glare museum matte finish
  • Ideal For: Collectors of Ravi Varma Press oleographs, lovers of classical Indian painting, home and living space decor, admirers of the Indian feminine aesthetic tradition, and anyone who wishes to bring the three most beautiful expressions of the Ravi Varma Press's lyrical vision into their space as a complete and unified collection

Why You'll Love It

Three faces of the Indian feminine ideal - Padmini among the lotuses, Vasantika adorned with spring's own flowers, and Varini in quiet communion with the forest swan - the Three Nymphs collection is the most purely lyrical and most immediately beautiful grouping in the entire Ravi Varma series, three compositions that need no narrative context and no mythological knowledge to deliver their complete and joyful gift.

Order Now

Bring home the Three Nymphs Collection - Padmini, Vasantika, and Varini - the Ravi Varma Press's most beloved expressions of the Indian feminine ideal, available as a complete set of three 18 × 24 inch museum-grade archival prints, with framed and unframed options, exclusively at The Soma Store.

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